I’ve got a lot of time for groups of people, or organisations, who appropriate a derogatory term used to describe them, and describe themselves by it. A friend of mine is a Quaker, who are (or were) officially known as Young Friends originally. Now, giving your group a name that lame, you’re asking for a bit of a ribbing, and Quakers became known as such because they quaked. As in, shook. Not played lots of FPSs. Whatever you might think of Quakers, props to people who can take being laughed at and say “actually, you’re right, and we’re proud”. Words to that effect, anyway.
“Schmindie” has been a bit of a derogatory term used for the more, ehh, emotionally susceptible side of indie music. Ballads, songs about heartbreak, fey white men with acoustic guitars and the occasional electric. Generally a bit overwrought. Heck, there’s a lot of this kind of music, you know full well what I mean. I don’t mean the sort of stuff that Dom Passantino legendarily branded “Mondeo Pop”, stuff for 20something sales reps living in West London and engaging in ‘banter’ in an effort to fight the ongoing dreariness of their soulless existence.
Okay, that paragraph was just an excuse to shoehorn some Dom Passantino and some generalisations in. Sorry about that. But my point was, it’s high time that those making schmindie (and yes, there will be no more inverted commas for schmindie in this blogpost), those appreciating schmindie and everyone else, start, only if challenged, wearing it as a badge of honour. But the point of this isn’t to argue the case for a genre name, it’s to give a bit of love to an often-overlooked style of music.
Unlike a lot of my peers, when getting into music I eschewed the angry-teenager brand of Slipknot, RATM, Linkin Park and their (admittedly very wide-ranging) ilk in favour of the likes of Coldplay, Radiohead, Starsailor, Elbow and the like. To this day I’ll still maintain Parachutes is one of the greatest albums ever made, though at least common sense makes me realise the same isn’t true of Love Is Here. But I’m sure it’s that which gives me this affection for sensitive-soul, heart-on-sleeve, guitars-turned-up-to-5 kinda thing.
This was all sparked by putting Bell X1’s Music in Mouth on yesterday. Bell X1 always confused me, they’re a band who should’ve made it bigger in Britain than they did, yet their former lead singer, Damien Rice, made it fairly big with an album of near-unparalleled dreariness. Bell X1’s first two albums are schmindie par excellence, and have plenty a nod-along and plenty to stand on the side of a Pennine on a breezy summer’s day, emoting to. I say that specifically because track 10, In Every Sunflower, certainly soundtracked 2005 me’s just-been-broken-up-with-by-a-girl-going-to-stand-and-stare-into-the-middle-distance-and-wonder-what’s-it-all-about-now status. The line with the biggest impact? “I wouldn’t swap the pain, for never knowing you.” See what I mean? 19 year-old sensitive indie kid fodder.
Bell X1’s Tim Noonan pulls off a similar trick lyrically to Guy Garvey, in that there’s this undercurrent of wryness across Music in Mouth and its follow-up, Flock. I particularly like the line “I’m not over you, can I get back under”, the kind of tongue-in-cheek thing I was, again, thinking a lot in 2005. Elbow are unsurprisingly dead-good for this kind of slightly self-depracating schtick, in something like the wonderfully understated Not A Job, as a simple bass hook and acoustic line accompanies Guy Garvey singing “Words to make her stay, you said: ‘Leave me and the plants die’, a panicked smile across your face”.
Latterly, Frightened Rabbit have become king components of schmindie, as the sadly now-defunct Don’t Make Lists blog noted. Head Rolls Off is that wonderful combination of jangly guitars, overwrought vocals and hell-of catchy melodies that all the best schmindie has, along with grimly upbeat vocals. The break-up-tastic Good Arms Vs Bad Arms makes an endearing desperate point as a slightly overweight man suggests that because his exes arms fit all the way round him, they were made for him. It’s that kind of grim-faced optimism-cum-desperation which marks out the Rabbits.
There’s a mass of great schmindie. Andy Yorke’s band Unbelievable Truth managed a wonderfully understated version of schmindie with “Almost Here”, Snow Patrol flirted with it before they hit it big with Run and bigger with Chasing Cars (and mark the point where maybe schmindie meets Mondeo Pop). Delays added some synths and made You Need Colours, an incredibly underrated album. It always makes me sad that sensitive white boys with guitar get a bad rep from sneery look-at-me types. Granted we’re responsible for some utter shite like Longview and Haven (hint: if a band moves to Manchester to ‘try and make it’, they will be unspeakably dreadful), but c’mon. Every group is.
Showing posts with label elbow. Show all posts
Showing posts with label elbow. Show all posts
Wednesday, 28 March 2012
Friday, 7 October 2011
Six Shuffle #2 – 7th October 2011
Six Shuffle is a feature where our writers play six tracks from their musical library whilst on shuffle and write thoughts on the track during the track length, no matter what song comes on or how long the song is.
Elbow – Picky Bugger
From their album Leaders of the Free World (the last Elbow album before their songs started being used to soundtrack every montage in TV history) this track is a rare vicious track, with a dark key and swearing – a bit different to the mellower Elbow we know now. I actually really like Leaders of the Free World, as it’s the album that I discovered Elbow from. It’s shorter than I remember though, but I love the clapping at the end.
The Cast of Cheers – Derp
I love this album – it feels like a better, more mature Bloc Party, with their cool factor still intact. There’s a loud level of math-rock to this album, and this track is a winding and flipping version of the shouty nature of the band. It was available for free from their Bandcamp last year, but is very much worth the money that they are wanting to lay it out – it has that excitable nature that debut albums sometimes don’t have, when someone is doing something not entirely new, but certainly something that will get your attention when it comes on. A very good album.
It is also worth noting is the lovely art work (posted below). It’s very Why?-esque, but it works.
Steven Milne – Falling
Ah! A local boy from Aberdeen: a close contender for my next New Scottish Music column. I ran into this album by going to see the Twilight Sad play an acoustic set, and Steven Milne (who is in the band Little Kicks) wowed the crowd with his lovely solo album. It really is a fabulous singer songwriter album and well worth sourcing. This track gets the hairs on the back of my neck standing on end – it must be the melody on the chorus that does it, and it feels so right and so good. Genuinely a good find and another reason to love my local record shop One-Up. I will get round to writing another column full of new Scottish acts for the winter, and he will certainly involved in the post, this album’s been on my rotation for a while now, and sits proudly in front of my iPod dock CD hi-fi player.
(The) Phantom Band – Folk Song Oblivion
My review of their second album The Wants was a vitriolic run through the worlds of “fucking pop music” and was for a while my favourite bit of writing I’ve done for here. It reads a little petulant and a lot like a music-indie prick acting out, but I kinda still stand by it, mostly that the album is the best British album of the last few years. This is from their debut album, Checkmate Savage, and is a probably the best song they have on that records. The sweeping riff feels like a cloud growing over a mountain, like a folk song mutated thanks to the Mutant X gene. It also feels like Cthulu, swarming a shipwreck. I love it, despite it being linked directly to me lodging my car ontop of a rock one night when going hillwalking and almost destroying my car, and certainly destroying the land owners lawn. Oops.
Battles – Toddler
Um... I’ve not really gotten into the new Battles record, but I loved Mirrored. This seems like a random interlude and is quite nice. It has a feel of one of those mobiles you get on babies beds – maybe that’s where the name came from.
The Twilight Sad – Made to Disappear
This is my favourite track from their second album Forget the Night Ahead. It’s something to do with the drum rhythm being a little off, and different, and it feels so good to drum along. “You said forget the night ahead... but you’ll never find her on her own...” genuinely love this track. It has this slow approach to the guitar that’s quite different to the actual sound of the drums and juxtaposition seems to work in the songs favour. It feels really good.
Interestingly, I am listening to these through my new Etymotic HF2 Earphones, and I have just noticed a little squeal on the guitar at the chorus I’ve never heard before. I love when that happens.
Bonus Seventh Spin
Dananananaykroyd – Some Dresses
Elbow – Picky Bugger
From their album Leaders of the Free World (the last Elbow album before their songs started being used to soundtrack every montage in TV history) this track is a rare vicious track, with a dark key and swearing – a bit different to the mellower Elbow we know now. I actually really like Leaders of the Free World, as it’s the album that I discovered Elbow from. It’s shorter than I remember though, but I love the clapping at the end.
The Cast of Cheers – Derp
I love this album – it feels like a better, more mature Bloc Party, with their cool factor still intact. There’s a loud level of math-rock to this album, and this track is a winding and flipping version of the shouty nature of the band. It was available for free from their Bandcamp last year, but is very much worth the money that they are wanting to lay it out – it has that excitable nature that debut albums sometimes don’t have, when someone is doing something not entirely new, but certainly something that will get your attention when it comes on. A very good album.
It is also worth noting is the lovely art work (posted below). It’s very Why?-esque, but it works.
Steven Milne – Falling
Ah! A local boy from Aberdeen: a close contender for my next New Scottish Music column. I ran into this album by going to see the Twilight Sad play an acoustic set, and Steven Milne (who is in the band Little Kicks) wowed the crowd with his lovely solo album. It really is a fabulous singer songwriter album and well worth sourcing. This track gets the hairs on the back of my neck standing on end – it must be the melody on the chorus that does it, and it feels so right and so good. Genuinely a good find and another reason to love my local record shop One-Up. I will get round to writing another column full of new Scottish acts for the winter, and he will certainly involved in the post, this album’s been on my rotation for a while now, and sits proudly in front of my iPod dock CD hi-fi player.
(The) Phantom Band – Folk Song Oblivion
My review of their second album The Wants was a vitriolic run through the worlds of “fucking pop music” and was for a while my favourite bit of writing I’ve done for here. It reads a little petulant and a lot like a music-indie prick acting out, but I kinda still stand by it, mostly that the album is the best British album of the last few years. This is from their debut album, Checkmate Savage, and is a probably the best song they have on that records. The sweeping riff feels like a cloud growing over a mountain, like a folk song mutated thanks to the Mutant X gene. It also feels like Cthulu, swarming a shipwreck. I love it, despite it being linked directly to me lodging my car ontop of a rock one night when going hillwalking and almost destroying my car, and certainly destroying the land owners lawn. Oops.
Battles – Toddler
Um... I’ve not really gotten into the new Battles record, but I loved Mirrored. This seems like a random interlude and is quite nice. It has a feel of one of those mobiles you get on babies beds – maybe that’s where the name came from.
The Twilight Sad – Made to Disappear
This is my favourite track from their second album Forget the Night Ahead. It’s something to do with the drum rhythm being a little off, and different, and it feels so good to drum along. “You said forget the night ahead... but you’ll never find her on her own...” genuinely love this track. It has this slow approach to the guitar that’s quite different to the actual sound of the drums and juxtaposition seems to work in the songs favour. It feels really good.
Interestingly, I am listening to these through my new Etymotic HF2 Earphones, and I have just noticed a little squeal on the guitar at the chorus I’ve never heard before. I love when that happens.
Bonus Seventh Spin
Dananananaykroyd – Some Dresses
Wednesday, 15 June 2011
30 Day Song Challenge (Gareth's Edition)
Alrighty, so those of you who're on Facebook are probably well aware of the 30 day Song Challenge that's floating about at the minute. Being the impatient sod what I am (and potentially lazy too) I can't really be bothered doing it one song a day, so instead I'm doing it one massive burst, with a Spotify link to each song, and a link to a full uninterrupted playlist at the end. Owing to the fact it centres around Spotify some choices reflect that. I'd love to be able to put in a Felt song but as none are available on the aforementioned streaming service I'll have to do without. Oh, and for those wondering why I've out my name in brackets in the post title, it's because I've no idea if anyone else is doing one, so to leave it merely as 30 Day Song Challenge could, in time, confuse. Yes.
Song 1: Your favourite song - I don't really have an all time favourite song, so I'm going with one of my favourite new discoveries. It's called Sunset by Selebrities and it sounds like a corss between OMD and Wild Nothing. Which makes it brilliant, naturally. I've yet to introduce this song to someone who hasn't enjoyed it. Selebrities – Sunset
Song 2: Your least favourite song - There are too many to choose here, but I'm going to go for Mika's Grace Kelly. There aren't many musicians (sorry, 'musicians') that I'd want to clobber in the face with a spade, but if I was keeping a list this bubble-perm'd sod would be high up it. Especially after this abomination MIKA – Grace Kelly
Song 3: A song that makes you happy - I'm going to cheat ever so slightly on this one. The song itself is a sad one lyrically ('Emma's house is empty, so why do I call it Emma's house?') but musically has a set of great jangly guiar lines that keep it just the right side of melancholic. But in reality my reaction to it is linked to memories: discovering it at 17, hearing a friend drop it on NYE (the first time I'd heard it in a club), the fact another friend always seems to play it when I go to his clubnight. All happy wholesome stuff. In fact, such is my unbridled joy at hearing it on nights out that I now get told 'Gareth, the DJ's just uttered the magic words!' (the magic words being that he's about to play this song) The Field Mice – Emma's House
Song 4: A song that makes you sad - Again, it's to do with association. I recently asked for people's suggestions for songs about friendships for something that may or may not see the light of day in future. One of them came from someone's who's rapdily become one of my best friends but is soon to move further away. This, coupled with the beauty of the song and its ruminations on friendship combine to mean it's something of a challenge to sit through it all. Lovely as it is. Adem – These Are Your Friends
Song 5: A song that reminds you of someone - Growing up on Anglesey, there weren't many people I knew who cared about music as much I did/do. In fact, I knew but one person. Then he went to live in Vietnam for a year. This song is full of references to Ho Chi Minh city (where he lives) so it always makes me think of him. That and the fact we were both huge Clash fans when he was still here. Just before he went we went around the pubs of the nearest University city in fresher's week just after MIA's Paper Planes came out (which for those who don't know, samples Straight To Hell), and kept putting on the Clash song and watching everyone get confused. It sounds like a twattish thing to do, and it probably was. Still funny though. The Clash – Straight To Hell
Song 6: A song that reminds you of somewhere: I can remember listening to this in my final year of university, sat in the library during the Autumn months watching the rain-battered windswept courtyard out the window and revelling in how warm and dry I was inside. This song plus the library's calming atmosphere always put me at ease James Yorkston – When The Haar Rolls In
Song 7: A song that reminds you of an event - I've never been a massive White Stripes fan, but I can just remember going apeshit to this at the last night of last year's Indietracks, surrounded by the myriad of people I'd met and who'd later go on to become great friends and thinking the world was a great place. Which for that sub 2 minute period it was. The White Stripes – Fell In Love With A Girl
Song 8: A song that you know all the words to: David Tattersall's always had an odd way with words, so deciphering the pyrics to Wave Pictures songs has never been the easiest of tasks. When the song is this good, and this catchy, it was/is worth the effort. The Wave Pictures – I Love You Like A Madman
Song 9: A song that you can dance to: Anyone can dance to this. Hell, even the title implores you to. David Bowie – Let's Dance (Single Version)
Song 10: A song that makes you fall asleep - Eno's stuff is always pretty dreamlike at the best of times. Chuck in the fact it was made for a film about the Apollo missions and it's a bonafide snooze inducer. It's pretty haunting and beautific if you stay awake through it all, though. So you win either way. Brian Eno – An Ending (Ascent)
Song 11: A song from your favourite band - I don't really have a favourite band but Orange Juice would probably be right up there. I keep looking back at their old press photos (especially around 1980/81) and wishing I was that suave and dressed that well. A man can but dream....Orange Juice – Rip It Up
Song 12: A song from a band you hate - This one is stupidly vague. Am I meant to just post a song from any band I hate, or a song I like from a band I hate? I have no idea. I'm going to go with the latter. In 2008 in a rare moment of weakness I got sucked into the Glasvegas hype. Even bought the album. Over time, i realised it was a load of bobbins, except for this track. It posesses all the elements that I dislike about Glasvegas (not least James Allen's ridiculous over-wrought vocals) yet it somehow survives the chopping block. Glasvegas – Geraldine
Song 13: A song that's a guilty pleasure - Let's face it, glam rock was a lovely bit of pantomime that added colour to a dour period culuturally, for a few years in the 1970s. However, its musical legacy hasn't really stood the test of time. Why then, do I still find it fun to flounce around to this, imagining I've got bell botoom flares on and stars stuck to my face? Sweet – Blockbuster
Song 14: A song no-one would expect you to like - Another daft one. No-one as in no-one at all? Half the people I associate with don't even know I like music, never mind what kinds I'm into. I don't know, I'm a bit stumped by this one to be honest, so I'll just go with this. Stupidly good fun to go apeshit to in a club. Motörhead – Ace Of Spades
Song 15: A song that describes you: The first two lines do the trick perfectly. The way they get sneered with no hint of self-pity or sadness is just brilliant. The second line might actually be my epitaph in due course, I'm not sure. Magazine – A Song From Under The Floorboards
Song 16: A song you used to love but now hate - The first couple of times I heard this I thought it was nice enough, but the more exposure I got to it the more I realised it was nauseating, disposable piffle that came perilously close to being beyond twee. I've not heard it since 2007/8 and have no intention of doing so again. Ever. Noah And The Whale – 5 Years Time
Song 17: A song you often hear on the radio - Time for another dose of spin. I (criminally) very rarely listen to the radio. The last time I did put in a concerted effort to do so was when 6music was in danger of being shut down. In the midst of what was quite a dark time for the station Lauren Laverne played this, and it seemed to be like a clarion call to resist the BBC's calls for closure. The station was saved and the song has stayed with me since. The Chameleons – Up The Down Escalator
Song 18: A song you wished you heard on the radio - Ironically, the first time I heard this song *was* on the radio. Lawrence from Felt (yes, that band again) played it on his show for the week of Domino radio that went out not long ago. It's Ian Broudie's pre-Lightning Seeds vehicle and it shows he was pretty handy at writing a song even back then (the early 80s). I've already decided that if I ever get in position to DJ on even a semi-regular basis this will be my signature song/joker up my sleeve. It's utterly magnificent. Care – Flaming Sword
Song 19: A song from your favourite album - As with bands, I don't really have a favourite album. There are those that are ever present at the top of my list but nothing ever really makes the top spot. This song's parent album will rank quite highly though, so I'll go for that for now. Hefner – Good Fruit
Song 20: A song you listen to when you're angry - These days I try not to listen to 'angry' songs when I'm pissed off. I either try and wait it out before putting on music or put something on that puts things in perspective and makes me snap out of it (more on that later). There was a time where I'd put this on though. It just seems to have this inherent pent-up rage waiting to burst out of it. Joy Division – Shadowplay
Song 21: A song you listen to when you're happy: I know this is probably too twee for some, and to an extent I agree with that sentiment. BUT, you have to be a heartless bastard to not have any element of happiness shine through when the recorder solo kicks in Belle & Sebastian – The Boy With the Arab Strap
Song 22: A song you listen to when you're sad - Let's face it, when we're sad we tend to want to wallow in it for a bit before picking ourselved back up. What better way to wallow than with 8 minutes of mournful Scottish melancholic pop. I picked this album up at a gig in March, then forgot to put it on until May and was blown away by it. It's a great album, and it's well worth listening to the whole thing. State Broadcasters – Archie's Tears
Song 23: A song you want played at your wedding - This is a tough one. Really, really tough. I've chosen this because it's about the notion of taking your partner's mundane quirks and foibles that most other people would find irritating, and turning them into something endearing and worth celebrating. Surely that's what love's about, right? Pelle Carlberg – I Love You, You Imbecile
Song 24: A song you want played at your funeral - This one started off as a joke and is now at a point whether I'm not actually sure if I'm serious or not. It would be gloriously daft, and I've always wanted my funeral to be something happy, not mournful. Getting people to dance in the aisles to this would encapsulate that idea perfectly. Electric Light Orchestra (Elo) – Mr Blue Sky (As an aside, other parts of the service include starting the service with my casket being crowdsurfed through the church to Born To Run, and at some point having Sid Vicious' cover of My Way blaring out. Again, I'm not really sure how serious these ideas are at this moment in time)
Song 25: A song that makes you laugh - It's a song about 1970s print pronography, told in a dry Mancunian accent. It's beyond funny. It's hilarious. JCC doesn't always cross that well over the North/South divide, but give it a spin anyway, you might enjoy it. John Cooper Clarke – Readers Wives
Song 26: A song you can play on an instrument - This has been a bugger to think of. I can't play an instrument save for an abortive attempt at the drums about 8+ years ago, and I was shit at them at the time, let alone now. Nonetheless, still reckon I could give this a good go given a bit of practice This Many Boyfriends – I Should Be A Communist
Song 27: A song you wish you could play on an instrument - I keep threatening to take up the ukulele, mainly because I'm too lazy and impatient to take up the guitar and figure it's a million times easier. I place the blame firmly at MJ Hibbett and Allo Darlin for this notion. If/when I get one/learn to play, i really want to learn the Allo Darlin song cannon. Such as this one Allo, Darlin' – Dreaming
Song 28: A song that makes you feel guilty - I touched upon this earlier during the 'song that you listen to when angry' entry. Not that long ago I was angry at some friends over some imagined slight (I can't actually remember the exact details, not that you need them), and went for a walk. While on a walk this came on, and it made me realise my petulance and put things in perspective. Having friends who're without exception far away (and some who will soon be even further), the line 'and it struck me to say while so far away you are with me today, you're here in my head, in my heart' always - without fail - kills me. Elbow – dear friends (See also: Scattered Black & Whites. That song always makes me guilty about people I've wronged and lost touch with over the years)
Song 29: A song from your childhood - I remember this coming out in 1996, and thinking it was pretty good at the time. I think it's even better now. Clearly 8 year old me did have something approaching taste. Sleeper – Sale Of The Century
Song 30: Your favourite song from this time last year - As I've said countless times, I've never really done out and out favourite songs at any point in recent memory, so I'm just going to post one of 'there or thereabouts' top songs for your listening pleasure and end this on a high. Nigh-on7 minutes of glockenspiel led Budweiser advertising pop perfection/mayhem anyone? YES. Los Campesinos! – You! Me! Dancing!
And put it all together and what've you got? No, not the Bitsa theme (cool though that would be) but a Spotify playlist, in its entirety. Here you go you lovely, lovely people 30 Day Song Challenge
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